Why do groups of people inflict violence on unarmed neighbors? (Germany, Rwanda, Darfur, Nanking....). Here's the neuroscience point of view.
The days of thinking of time as a river—evenly flowing, always advancing—are over. Time perception, just like vision, is a construction of the brain.
Well before we understand how brains work, we may find ourselves able to digitally copy the brain's structure and able to download the conscious mind into a computer. What are the possibilities and challenges?
Read a Q&A with David in New Scientist to find out his latest ideas and advice to young scientists.
To the extent that consciousness is useful, it is useful in small quantities, and for very particular kinds of tasks. It's easy to understand why you would not want to be consciously aware of the intricacies of your muscle movement, but this can be less intuitive when applied to your perceptions, thoughts, and beliefs, which are also final products of the activity of billions of nerve cells.
I had the pleasure of being profiled by my favorite magazine, The New Yorker. Read the article here.
I recently spent an evening speaking at the Rubin Museum in NYC with punk rock legend, writer, and spoken word artist Henry Rollins. We discussed the origin, meaning, neuroscience, and bizarreness of dreams.
Posthumanism asks what happens when our technologies allow humans to enhance intellectual, physical, and psychological capacities beyond what biology can give us. Think bionics on crack.
Interested in the intersection of the brain and the legal system? Watch a talk I delivered at the Royal Society for the Arts in London, entitled "The Brain and the Law".
Interested in issues of memory and the brain? Watch a clip of David on the History Channel.
Read David's Op-Ed piece in The New York Times regarding time and Obama's withdrawal plan.
Why should the US invest in brain science? See David's opinion in the New York Times.
In June, 2009, David Eagleman collaborated with musician/producer Brian Eno to perform a musical reading of Sum to 1,000 people at the Sydney Opera House. In May of 2010 they performed together again to 1,200 people at the Brighton Dome in England. Stay tuned for further performances.