Why do groups of people inflict violence on unarmed neighbors? (Germany, Rwanda, Darfur, Nanking....). Here's the neuroscience point of view.
The days of thinking of time as a river—evenly flowing, always advancing—are over. Time perception, just like vision, is a construction of the brain.
Well before we understand how brains work, we may find ourselves able to digitally copy the brain's structure and able to download the conscious mind into a computer. What are the possibilities and challenges?
Read a Q&A with David in New Scientist to find out his latest ideas and advice to young scientists.
To the extent that consciousness is useful, it is useful in small quantities, and for very particular kinds of tasks. It's easy to understand why you would not want to be consciously aware of the intricacies of your muscle movement, but this can be less intuitive when applied to your perceptions, thoughts, and beliefs, which are also final products of the activity of billions of nerve cells.
I had the pleasure of being profiled by my favorite magazine, The New Yorker. Read the article here.
I recently spent an evening speaking at the Rubin Museum in NYC with punk rock legend, writer, and spoken word artist Henry Rollins. We discussed the origin, meaning, neuroscience, and bizarreness of dreams.
Posthumanism asks what happens when our technologies allow humans to enhance intellectual, physical, and psychological capacities beyond what biology can give us. Think bionics on crack.
Interested in the intersection of the brain and the legal system? Watch a talk I delivered at the Royal Society for the Arts in London, entitled "The Brain and the Law".
Interested in issues of memory and the brain? Watch a clip of David on the History Channel.
Read a profile of David in The New Yorker: The Possibilian: What a brush with death taught David Eagleman about the mysteries of time and the brain by Burkhard Bilger.

David's iPad app "Why the Net Matters, or Six Ways to Avert the Collapse of Civilization" was recently called a "superbook" by the New York Times Magazine. For a taste of the argument, read David's article in WIRED or watch a video of his talk at the Long Now Foundation. Don't have an iPad? The manuscript is now available as an eBook.
SUM has been turned into an opera at the Royal Opera House in London (Composer: Max Richter, Director: Wayne McGregor). The London Evening Standard hails the opera as "immersive, meditative and sweetly fascinating". Read about the background of the collaboration in Wired.