Posthumanism asks what happens when our technologies allow humans to enhance intellectual, physical, and psychological capacities beyond what biology can give us. Think bionics on crack.

I had the pleasure of being profiled by my favorite magazine, The New Yorker.  Read the article here.

I recently spent an evening speaking at the Rubin Museum in NYC with punk rock legend, writer, and spoken word artist Henry Rollins.  We discussed the origin, meaning, neuroscience, and bizarreness of dreams. 

From the Blog

  • Eagleman and Eno perform Sum
    Eagleman and Eno perform Sum

    Brian Eno and I have twice performed a musical version of Sum, once at the Sydney Opera House, and once at the Brighton Dome. Learn more.

  • The Mystery of Expertise
    The Mystery of Expertise

    To the extent that consciousness is useful, it is useful in small quantities, and for very particular kinds of tasks. It's easy to understand why you would not want to be consciously aware of the intricacies of your muscle movement, but this can be less intuitive when applied to your perceptions, thoughts, and beliefs, which are also final products of…

  • Philip Pullman
    Philip Pullman

    I've had the good fortune to collaborate on stage a couple of times with author Philip Pullman.

  • Time perception on the Discovery Channel
    Time perception on the Discovery Channel

    Watch an experiment in which we studied time perception by dropping volunteer subjects from a 150 foot high tower.  Free fall.

Newsflashes

SUM at the Royal Opera House

ROHSUM has been turned into an opera at the Royal Opera House in London (Composer: Max Richter, Director: Wayne McGregor). The London Evening Standard hails the opera as "immersive, meditative and sweetly fascinating". Read about the background of the collaboration in Wired.

NY Times Oped

Read David's Op-Ed piece in The New York Times regarding time and Obama's withdrawal plan.

New Scientist time story

New Scientist magazine features David Eagleman's time perception research as their cover story.
Cover of 24 October 2009 issue of New Scientist magazine

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