Our ignorance of the cosmos is too vast to commit to atheism, and yet we know too much to commit to a particular religion. A third position, agnosticism, is often an uninteresting stance in which a person simply questions whether his traditional religious story is true or not true. I call myself a possibilian. Find out why.

I recently spoke at PopTech on the limits of science, the problems of false dichotomies, and my new movement of possibilianism. See the video.

From the Blog

  • Discussing dreaming with Henry Rollins
    Discussing dreaming with Henry Rollins

    I recently spent an evening speaking at the Rubin Museum in NYC with punk rock legend, writer, and spoken word artist Henry Rollins.  We discussed the origin, meaning, neuroscience, and bizarreness of dreams. 

  • Perception on TNT
    Perception on TNT

    I am the scientific advisor for the TNT television drama, Perception, starring Eric McCormack and Rachael Leigh Cook. Learn more about the show.

  • The Mystery of Expertise
    The Mystery of Expertise

    To the extent that consciousness is useful, it is useful in small quantities, and for very particular kinds of tasks. It's easy to understand why you would not want to be consciously aware of the intricacies of your muscle movement, but this can be less intuitive when applied to your perceptions, thoughts, and beliefs, which are also final products of…

  • Houston Modern Luxury's Men of Style
    Houston Modern Luxury's Men of Style

    I had the honor of being selected as one of Houston Modern Luxury's Men of Style.

Newsflashes

Why Brain Science Matters

Why should the US invest in brain science? See David's opinion in the New York Times.

Guggenheim Fellowship

David has been named a John Simon Guggenheim Fellow. He will use the fellowship opportunity to pursue the genetics and neuroimaging of synesthesia.

New Yorker magazine profile

Read a profile of David in The New Yorker: The Possibilian: What a brush with death taught David Eagleman about the mysteries of time and the brain by Burkhard Bilger.
Eagleman in the New Yorker

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