I had the pleasure of being profiled by my favorite magazine, The New Yorker.  Read the article here.

We love NPR's Radiolab. If you haven't listened to it yet, you should.  Check out several episodes featuring David's science or writing.

Communicating science to the public can take time away from a busy research career. So why should scientists do it? I offer a manifesto of six reasons in the Journal of Neuroscience

From the Blog

  • Schwarzenegger on Incognito
    Schwarzenegger on Incognito

    What a wonderful shot of caffeine it was to find my childhood hero lauding my book in the New York Times.

  • British musician Jarvis Cocker reads from Sum
    British musician Jarvis Cocker reads from Sum

    Hear British rocker Jarvis Cocker read the short story "Descent of Species" from Sum.

  • Time to End the War on Drugs?
    Time to End the War on Drugs?

    To liberalise or prohibit?  I recently joined Eliot Spitzer, Julian Assange, Vicente Fox, Russell Brand, Richard Branson and several others for an online debate.

  • Discovering amulets inside the mummy
    Discovering amulets inside the mummy

    I recently posted about my scanning of a 3,000 year old mummy, Neskhons. Now, by analyzing the data in several different ranges of electron density, I've found something unexpected: inside the mummy's torso are 4 small funerary amulets.

Newsflashes

New Yorker magazine profile

Read a profile of David in The New Yorker: The Possibilian: What a brush with death taught David Eagleman about the mysteries of time and the brain by Burkhard Bilger.
Eagleman in the New Yorker

Neurolaw: The Brain on Trial

Want to know how neuroscience will force major changes in our criminal justice system? Read David's article The Brain on Trial in The Atlantic. Now anthologized in 2012 Best American Science and Nature Writing.
atlantic072011

SUM at the Royal Opera House

ROHSUM has been turned into an opera at the Royal Opera House in London (Composer: Max Richter, Director: Wayne McGregor). The London Evening Standard hails the opera as "immersive, meditative and sweetly fascinating". Read about the background of the collaboration in Wired.

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