Brian Eno and I have twice performed a musical version of Sum, once at the Sydney Opera House, and once at the Brighton Dome. Learn more.

Hear British rocker Jarvis Cocker read the short story "Descent of Species" from Sum.

The author Will Self and I appeared on stage together to discuss life, death, and what makes good writing.

I've had the good fortune to collaborate on stage a couple of times with author Philip Pullman.

 Hear actress Emily Blunt read the story "The Cast" from Sum.

We love NPR's Radiolab. If you haven't listened to it yet, you should.  Check out several episodes featuring David's science or writing.

From the Blog

  • Profile in The New Yorker
    Profile in The New Yorker

    I had the pleasure of being profiled by my favorite magazine, The New Yorker.  Read the article here.

  • Documentary on the History Channel
    Documentary on the History Channel

    Interested in issues of memory and the brain? Watch a clip of David on the History Channel.

  • Breivik's Brain
    Breivik's Brain

    What could explain Anders Breivik's shooting attack in Oslo, Norway? While this is debated from the angles of politics, religion, and sociology, I want to ask this from the viewpoint of neurobiology.

  • Possibilianism at PopTech
    Possibilianism at PopTech

    I recently spoke at PopTech on the limits of science, the problems of false dichotomies, and my new movement of possibilianism. See the video.

Newsflashes

SUM is Book of the Year: Chicago Tribune

SUM was chosen as the best book of 2009 by Chicago Tribune's Pulitzer-winning literary critic Julia Keller.

Eagleman and Brian Eno bring Sum to Sydney Opera House

In June, 2009, David Eagleman collaborated with musician/producer Brian Eno to perform a musical reading of Sum to 1,000 people at the Sydney Opera House. In May of 2010 they performed together again to 1,200 people at the Brighton Dome in England. Stay tuned for further performances.

SUM at the Royal Opera House

ROHSUM has been turned into an opera at the Royal Opera House in London (Composer: Max Richter, Director: Wayne McGregor). The London Evening Standard hails the opera as "immersive, meditative and sweetly fascinating". Read about the background of the collaboration in Wired.

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