I am the scientific advisor for the TNT television drama, Perception, starring Eric McCormack and Rachael Leigh Cook. Learn more about the show.

Watch an experiment in which we studied time perception by dropping volunteer subjects from a 150 foot high tower.  Free fall.

Interested in issues of memory and the brain? Watch a clip of David on the History Channel.

From the Blog

  • Eagleman and Eno perform Sum
    Eagleman and Eno perform Sum

    Brian Eno and I have twice performed a musical version of Sum, once at the Sydney Opera House, and once at the Brighton Dome. Learn more.

  • Why public dissemination of science matters
    Why public dissemination of science matters

    Communicating science to the public can take time away from a busy research career. So why should scientists do it? I offer a manifesto of six reasons in the Journal of Neuroscience. 

  • Silicon Immortality: Downloading Consciousness into Computers
    Silicon Immortality: Downloading Consciousness into Computers

    Well before we understand how brains work, we may find ourselves able to digitally copy the brain's structure and able to download the conscious mind into a computer. What are the possibilities and challenges?

  • The Mystery of Expertise
    The Mystery of Expertise

    To the extent that consciousness is useful, it is useful in small quantities, and for very particular kinds of tasks. It's easy to understand why you would not want to be consciously aware of the intricacies of your muscle movement, but this can be less intuitive when applied to your perceptions, thoughts, and beliefs, which are also final products of…

Newsflashes

NY Times Oped

Read David's Op-Ed piece in The New York Times regarding time and Obama's withdrawal plan.

Eagleman TEDx talk

See David Eagleman's TEDx talk entitled "The Future of Reality"

New Yorker magazine profile

Read a profile of David in The New Yorker: The Possibilian: What a brush with death taught David Eagleman about the mysteries of time and the brain by Burkhard Bilger.
Eagleman in the New Yorker

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