The days of thinking of time as a river—evenly flowing, always advancing—are over. Time perception, just like vision, is a construction of the brain.

New Scientist magazine recently featured my time perception research as their cover story

Watch an experiment in which we studied time perception by dropping volunteer subjects from a 150 foot high tower.  Free fall.

From the Blog

  • Profile in The New Yorker
    Profile in The New Yorker

    I had the pleasure of being profiled by my favorite magazine, The New Yorker.  Read the article here.

  • Silicon Immortality: Downloading Consciousness into Computers
    Silicon Immortality: Downloading Consciousness into Computers

    Well before we understand how brains work, we may find ourselves able to digitally copy the brain's structure and able to download the conscious mind into a computer. What are the possibilities and challenges?

  • The Mystery of Expertise
    The Mystery of Expertise

    To the extent that consciousness is useful, it is useful in small quantities, and for very particular kinds of tasks. It's easy to understand why you would not want to be consciously aware of the intricacies of your muscle movement, but this can be less intuitive when applied to your perceptions, thoughts, and beliefs, which are also final products of…

  • New Scientist time story
    New Scientist time story

    New Scientist magazine recently featured my time perception research as their cover story. 

Newsflashes

Sum #2 book in UK

In September, 2009, Sum became the number 2 book in the United Kingdom on Amazon's bestseller list, only behind Dan Brown's Lost Symbol.

Eagleman and Brian Eno bring Sum to Sydney Opera House

In June, 2009, David Eagleman collaborated with musician/producer Brian Eno to perform a musical reading of Sum to 1,000 people at the Sydney Opera House. In May of 2010 they performed together again to 1,200 people at the Brighton Dome in England. Stay tuned for further performances.

SUM is Book of the Year: Chicago Tribune

SUM was chosen as the best book of 2009 by Chicago Tribune's Pulitzer-winning literary critic Julia Keller.

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