Chapter 3: The Brain Adjusts itself to any Body Plan

Faith the dog:

Dogs can learn to control the movement of skateboards:

[video of skateboarding bulldog here]

....and they can drive large body plans which include steering wheels and tires:

Chapter 4: The Brain Wraps Itself around New Inputs: Sensory Substitution and Addition

See this video of plasticity from WIRED Science: "Mixed Feelings"                      

Chapter 5:

Interview with Miguel Nicolelis on the Daily Show

           

The Walk Again Project, an international collaboration of researchers to allow the paralyzed to control robotic suits with their thoughts.

Video: Monkey and robotic arm

 

From the Blog

  • Discussing dreaming with Henry Rollins
    Discussing dreaming with Henry Rollins

    I recently spent an evening speaking at the Rubin Museum in NYC with punk rock legend, writer, and spoken word artist Henry Rollins.  We discussed the origin, meaning, neuroscience, and bizarreness of dreams. 

  • Why I am a Possibilian
    Why I am a Possibilian

    Our ignorance of the cosmos is too vast to commit to atheism, and yet we know too much to commit to a particular religion. A third position, agnosticism, is often an uninteresting stance in which a person simply questions whether his traditional religious story is true or not true. I call myself a possibilian. Find out why.

  • Houston Modern Luxury's Men of Style
    Houston Modern Luxury's Men of Style

    I had the honor of being selected as one of Houston Modern Luxury's Men of Style.

  • A note about head shape in mummies
    A note about head shape in mummies

    A few months ago I scanned a 3,000 mummy. What can (and can't) be concluded based on his perspicuously elongated skull shape, known as dolicocephy (elongated head)?  

Newsflashes

Barnes and Noble Best Book

Barnes and Noble selected SUM as one of the Best Books of the Year.

Eagleman TEDx talk

See David Eagleman's TEDx talk entitled "The Future of Reality"

SUM at the Royal Opera House

ROHSUM has been turned into an opera at the Royal Opera House in London (Composer: Max Richter, Director: Wayne McGregor). The London Evening Standard hails the opera as "immersive, meditative and sweetly fascinating". Read about the background of the collaboration in Wired.

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