Wednesday is Indigo Blue

Our laboratory has been studying synesthesia for eight years. In that time, we've tested thousands of synesthetes of all varieties, gathered the DNA from 8 synesthetic family trees, and performed neuroimaging.  We value the opportunity to explain our research to a wider audience, and to that end our research has appeared in several popular outlets.

Here are some print articles about our synesthesia research:

drkikilogoWhat Flavor Is Your Rainbow? - Dr. Kiki's Science Hour, August 2010

newscicoverWhy I and O are dull for synaesthetes - New Scientist, Nov 2007

utmedmagFinding the Gene that Makes People Hear Shapes and Taste Words - UT Houston Medicine, May 2006

houstonchronlogoSynesthesia: Hearing Sounds and Seeing Colors - Houston Chronicle

seedcoverThe Most Beautiful Painting You've Ever Heard - Seed Magazine, Dec 2006

From the Blog

  • Profile in The New Yorker
    Profile in The New Yorker

    I had the pleasure of being profiled by my favorite magazine, The New Yorker.  Read the article here.

  • Radiolab fan? We are too.
    Radiolab fan? We are too.

    We love NPR's Radiolab. If you haven't listened to it yet, you should.  Check out several episodes featuring David's science or writing.

  • Brain Time
    Brain Time

    The days of thinking of time as a river—evenly flowing, always advancing—are over. Time perception, just like vision, is a construction of the brain.

  • Philip Pullman
    Philip Pullman

    I've had the good fortune to collaborate on stage a couple of times with author Philip Pullman.

Newsflashes

New Yorker magazine profile

Read a profile of David in The New Yorker: The Possibilian: What a brush with death taught David Eagleman about the mysteries of time and the brain by Burkhard Bilger.
Eagleman in the New Yorker

Sum on Radiolab

Listen to David discussing Sum -- and actor Jeffrey Tambor reading stories from the book -- on WNYC's Radiolab.

SUM at the Royal Opera House

ROHSUM has been turned into an opera at the Royal Opera House in London (Composer: Max Richter, Director: Wayne McGregor). The London Evening Standard hails the opera as "immersive, meditative and sweetly fascinating". Read about the background of the collaboration in Wired.

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