Wednesday is Indigo Blue

New Scientist magazine features David Eagleman's time perception research as their cover story.
Cover of 24 October 2009 issue of New Scientist magazine

From the Blog

  • A note about head shape in mummies
    A note about head shape in mummies

    A few months ago I scanned a 3,000 mummy. What can (and can't) be concluded based on his perspicuously elongated skull shape, known as dolicocephy (elongated head)?  

  • Breivik's Brain
    Breivik's Brain

    What could explain Anders Breivik's shooting attack in Oslo, Norway? While this is debated from the angles of politics, religion, and sociology, I want to ask this from the viewpoint of neurobiology.

  • The Mystery of Expertise
    The Mystery of Expertise

    To the extent that consciousness is useful, it is useful in small quantities, and for very particular kinds of tasks. It's easy to understand why you would not want to be consciously aware of the intricacies of your muscle movement, but this can be less intuitive when applied to your perceptions, thoughts, and beliefs, which are also final products of…

  • Q & A in New Scientist magazine
    Q & A in New Scientist magazine

    Read a Q&A with David in New Scientist to find out his latest ideas and advice to young scientists.

Newsflashes

How the Internet will save civilization

David's iPad app "Why the Net Matters, or Six Ways to Avert the Collapse of Civilization" was recently called a "superbook" by the New York Times Magazine. For a taste of the argument, read David's article in WIRED or watch a video of his talk at the Long Now Foundation. Don't have an iPad? The manuscript is now available as an eBook.

Guggenheim Fellowship

David has been named a John Simon Guggenheim Fellow. He will use the fellowship opportunity to pursue the genetics and neuroimaging of synesthesia.

SUM at the Royal Opera House

ROHSUM has been turned into an opera at the Royal Opera House in London (Composer: Max Richter, Director: Wayne McGregor). The London Evening Standard hails the opera as "immersive, meditative and sweetly fascinating". Read about the background of the collaboration in Wired.

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