Why should the US invest in brain science? See David's opinion in the New York Times.

 

David has won the Science Educator Award from the Society of Neuroscience.

 

Barnes and Noble selected SUM as one of the Best Books of the Year.

 

Read David's Op-Ed piece in The New York Times regarding time and Obama's withdrawal plan.

 

SUM was chosen as the best book of 2009 by Chicago Tribune's Pulitzer-winning literary critic Julia Keller.

 

From the Blog

  • Philip Pullman
    Philip Pullman

    I've had the good fortune to collaborate on stage a couple of times with author Philip Pullman.

  • Silicon Immortality: Downloading Consciousness into Computers
    Silicon Immortality: Downloading Consciousness into Computers

    Well before we understand how brains work, we may find ourselves able to digitally copy the brain's structure and able to download the conscious mind into a computer. What are the possibilities and challenges?

  • Radiolab fan? We are too.
    Radiolab fan? We are too.

    We love NPR's Radiolab. If you haven't listened to it yet, you should.  Check out several episodes featuring David's science or writing.

  • Breivik's Brain
    Breivik's Brain

    What could explain Anders Breivik's shooting attack in Oslo, Norway? While this is debated from the angles of politics, religion, and sociology, I want to ask this from the viewpoint of neurobiology.

Newsflashes

New York Times bestseller

IncognitoA 26 week New York Times bestseller, Incognito was named a Best Book of the Year by both Amazon and Goodreads. For a taste of the book, see a review in the Wall Street Journal, listen to a conversation on NPR's Fresh Air, or watch a video dialog with Wired Magazine. Reading Incognito now? We'd love to hear feedback!

6 Ways the Internet Will Save Civilization

Read David's new article in Wired magazine: "Apocalyse? No. Six Ways the Internet Will Save Civilization"

SUM at the Royal Opera House

ROHSUM has been turned into an opera at the Royal Opera House in London (Composer: Max Richter, Director: Wayne McGregor). The London Evening Standard hails the opera as "immersive, meditative and sweetly fascinating". Read about the background of the collaboration in Wired.

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