David Eagleman is a neuroscientist and a New York Times bestselling author. He heads the Center for Science and Law, a national non-profit institute, and serves as an adjunct professor at Stanford University. He is best known for his work on sensory substitution, time perception, brain plasticity, synesthesia, and neurolaw.
Beyond his 100+ academic publications, he has published many popular books. His bestselling book Incognito: The Secret Lives of the Brain, explores the neuroscience "under the hood" of the conscious mind: all the aspects of neural function to which we have no awareness or access. His work of fiction, SUM, is an international bestseller published in 28 languages and turned into two operas. Why the Net Matters examines what the advent of the internet means on the timescale of civilizations. The award-winning Wednesday is Indigo Blue explores the neurological condition of synesthesia, in which the senses are blended.
Eagleman is a TED speaker, a Guggenheim Fellow, a winner of the McGovern Award for Excellence in Biomedical Communication, a Next Generation Texas Fellow, Vice-Chair on the World Economic Forum's Global Agenda Council on Neuroscience & Behaviour, a research fellow in the Institute for Ethics and Emerging Technologies, Chief Scientific Advisor for the Mind Science Foundation, and a board member of The Long Now Foundation. He has served as an academic editor for several scientific journals. He was named Science Educator of the Year by the Society for Neuroscience, and was featured as one of the Brightest Idea Guys by Italy's Style magazine. He is founder of the company BrainCheck and the cofounder of the company NeoSensory. He was the scientific advisor for the television drama Perception, and has been profiled on the Colbert Report, NOVA Science Now, the New Yorker, CNN's Next List, and many other venues. He appears regularly on radio and television to discuss literature and science.
SUM has been turned into an opera at the Royal Opera House in London (Composer: Max Richter, Director: Wayne McGregor). The London Evening Standard hails the opera as "immersive, meditative and sweetly fascinating". Read about the background of the collaboration in Wired.
Your reality need not be constrained by your biology. Read the interview here.
New Scientist magazine features David Eagleman's time perception research as their cover story.
Think it's unlikely for a scientist to be featured on the cover of an Italian fashion magazine? Me too! But strange things happen...
The "umwelt" is the slice of an animal's ecosystem that it can sense. The rest is invisible....
I had the pleasure of being profiled by my favorite magazine, The New Yorker. Read the article here.
I had the honor of being selected as one of Houston Modern Luxury's Men of Style.
Hear British rocker Jarvis Cocker read the short story "Descent of Species" from Sum.
The author Will Self and I appeared on stage together to discuss life, death, and what makes good writing.
I posted before about my scanning of a 3,000 year old mummy, Neskhons. Now, by analyzing the data in several different ranges of electron density, I'v
I spoke at PopTech on the limits of science, the problems of false dichotomies, and my new movement of possibilianism. See the video.
Why don't we do what we know we should? Here's a talk I gave at Stanford Medical School telling why, and what to do about it.
The days of thinking of time as a river—evenly flowing, always advancing—are over. Time perception, just like vision, is a construction of the bra
Posthumanism asks what happens when our technologies allow humans to enhance intellectual, physical, and psychological capacities beyond what biology
Why do groups of people inflict violence on unarmed neighbors? (Germany, Rwanda, Darfur, Nanking....). Here's the neuroscience point of view.